The inclusion of people in architectural photography is a topic of debate, with some photographers preferring empty spaces for speed and minimalism, while others argue that people add context and connection. Geographical preferences and cost considerations also play a role in this decision. Ultimately, the choice reflects individual style and intention, impacting the narrative conveyed through architecture.

If you don’t know, this is the Ohio State University football stadium in Columbus Ohio. The final layered document size was just over 5GB. Which would in theory print out at 217cm x 111cm before any enlargements.

Capturing the beauty and essence of architectural projects requires more than just technical expertise behind the camera. It’s a creative collaboration—a partnership where your vision as an architect meets the skills of a professional photographer.

I understand hiring a photographer is a significant investment. Here are 14 questions to ask when considering an architectural photographer for your next project.

As an architectural and industrial photographer building relationships with growing practices and designer studios, I know that translating the vision of your project into stunning imagery is no small feat. A lot goes into creating photos that not only look great but also communicate your design’s intent and impact.

If you’re an architect preparing to hire a photographer, here’s a helpful roadmap to ensure the process goes smoothly, delivering the results you need for any desired use.

Architectural and industrial photography is primarily about capturing a structure in a technical but aesthetically pleasing manner. I put on my layers, set up my tripod in the snow and waited. My flask of hot chocolate was very much appreciated at -4ºC before the windchill. Taking a series of images throughout the falling light, I’d achieved what I set out to do. Make a harsh cement factory look attractive in its setting.

Photographing the German Pavilion by Mies van der Rohe

Capturing architecture is about more than taking a photo. It’s more than just photographic technical knowledge; it’s about revealing the soul of a building, the designer’s vision and communicating a 3D reality in a 2D format. For architectural photography buyers, architects, and those in hotel and industrial design, images that bring out both beauty and functionality are essential.

The drive from Tasch to Chamonix is just over 2hrs depending on traffic, but I lost count of the jaw dropping, awe inspiring vistas that presented themselves as I traversed the alpine roads linking the two countries. Some places are just blessed with a natural beauty that’s so arresting, it’s virtually impossible to verbalise. At times on the journey, I had to pull over and simply stare at what was before me in silence. No cameras, no noise, just contemplating and appreciating natures immensity. I truly hope the locals understand the gift they’re charged with.

Matterhorn Glacier Paradise sits at 3883m or over 12700ft and it’s how someone like me, with less than ideal mobility and in no way shape or form a climber, can reach heights that some climbers train for months or years to achieve.

Breathtaking? Literally. At 3883m, the air really is thinner at this altitude. Also, if it’s bright, remember sunscreen, especially if you’re planning on staying on the viewing platform for a while. Whilst I was having a coffee in the cafe at the top, I decided to do a little science experiment.